But poking around 12.5 and using it as a pro are two different things, so I set up a collaborative overdub session between Blackbird’s Studio C in Nashville and percussionist Javier Solis’ home studio in Texas.
At the time, I hadn’t used the software, but what Tony and Tim showed me seemed incredible.ĭays later, I got to use it extensively on my own rig and realized that this would change how we all work-especially once the average user’s bandwidth matches Avid’s vision. In mid-March, days before 12.5 was officially released, I sat down with Tony Cariddi, Avid Marketing Director Audio, and Tim Carroll, VP of Audio Products, at The Blackbird Academy in Nashville for a live Mix webcast on Pro Tools Cloud Collaboration. The latest upgrade, Pro Tools 12.6, much like 12.5, delivers incredible new features that have taken the DAW to new highs in quick step.īefore looking at the latest version, let’s dig into 12.5’s collaboration feature, which was teased at nearly a year ago at NAMM 2016. Reactions ranged from, “Why do I need another monthly bill?” to, “What’s the advantage?” But if the past year is any indication, it is clear that Avid is serious about living up to its promises, making it enticing to opt-in to the new purchase and support plans. There was initially some skepticism about the change from pros and new users alike. Since Avid’s jump to delivering its popular DAW within a subscription model, the company has delivered on promises to upgrade at a faster clip.
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